This is part two of my thoughts on two lenses that Fujifilm Malaysia lent me this past week. In the last review I looked at the XF10-24mm f/4 R OIS. Today I am giving you my thoughts on the FX56 mm F/1.2 R.
Last week my friends at Fujifilm Malaysia loaned me two of their latest and greatest lenses to play with and asked me if I would share my thoughts. I have been waiting for these two new lenses probably more than any of the other lenses in their entire lineup. The two lenses are the XF10-24mm f/4 R OIS and the XF56mm f/1.2 R. On a cropped sensor, such as the two cameras I am shooting with – the Fujifilm X-E2 and the X-T1 – they represent a full frame focal length equivalent of 15-36 mm and 85 mm respectively. I recently bought the X-T1, but I do not plan to review the X-T1 as it may be one of the most reviewed cameras on the planet, to date. It definitely is the most reviewed Fujifilm camera till now. Continue reading
Probably one of the biggest surprises of this Fujifilm Rajasthan Photo Trek was my last minute purchase of the Fujifilm Instax Share SP-1 Smartphone Printer. This printer opened so many doors with people to photograph that it should be considered a must have for any photographer traveling to new places.
The workshop has been going well with relatively few logistical issues along the way. I have very little time to focus on my own photography, but that is to be expected as this is about the participants and my primary job is to focus on them. But when I get a chance to photograph I take it. Continue reading
It is always difficult to find even a few moments to post photos and updates when leading a workshop. But we have made it to Pushkar and that means for the participants of the Fujifilm Rajasthan Photo Trek a day of rest. Continue reading
I am really excited to try out two new toys on this trip to Rajasthan. Actually to call them “toys” does each of them a big disservice. They are truly tools. (Really fun tools!) First up will be a new battery case for my iPhone 5, and the second, a new mobile printing solution to replace my Zink Printer that failed me so badly, a few years back. Continue reading
I‘ve had many emails and Facebook messages lately asking me if I have switched completely over to the Fujifilm X-series cameras. The Fujifilm X-series for those of you who have been living under a rock or are just not into camera gear, is the mirrorless, small somewhat compact camera system that has a retro rangefinder feel and look about it. They are an amazing group of cameras and are chock full of innovative technology to enhance both the user experience and the final image. The flagship camera for this new system is the X-Pro1 followed closely by the X-E1. Both cameras sport an APS–C size sensor thus giving an image quality of a DSLR. Continue reading
Last Friday I received a package from one of my friends at Fujifilm Malaysia. They were kind enough to send me a pre-production Fujinon XF 23mm f/1.4R for a week to run it through its paces. I gotta tell you this is a great piece of glass. The XF 23mm on the Xpro-1‘s cropped sensor is the full frame equivalent of a 35mm lens. The most frustrating thing about this lens has nothing to do with its technical features. It is simply that I rarely use this focal length and so it became a stretch for me. I gravitate to much wider focal lengths in my work. As readers here will know, my go-to-lens is a 16-35mm. When I do shoot this lens it is almost always at the 16mm focal length. That’s not to say I can’t use and appreciate a 35 mm focal length lens.
You can tell by the past few posts by Jon McCormack and I that we filled out days shooting everything that moved. The Swayambhunath Temple is located near Kathmandu on top of a large hill. It is often referred to as, The Monkey Temple because of the hundreds of rhesus macaques roaming the site. Have I mentioned here before that I hate monkeys and rhesus are the worst – a long story for another time. I digress. We arrived and hour or so before sunset to be sure to get in position to photograph the stupa with the evening sky blue behind it. Fortunately, for us this time the floodlights on the stupa worked. Unlike the Boudhanath stupa there were no buildings to climb up to get better views.