Here is the wallpaper for March. I took this way back in 2004. It was a frosty, foggy winter’s morning and I was out driving around Dal Lake, Srinagar, Kashmir looking for things to photograph. I drove by this old dunga (a small Kashmiri canoe) and saw this.
Yes, this images has had some tweaking done to it in Photoshop. It is art. People ask me, do you do a lot of photoshop on my images. The fact is, if you shoot RAW, as I do, you have to do some amount of post processing. If not, the image is flat and unattractive. But, beyond that, I shoot my vision and what I do in Photoshop or Lightroom is to process the image enough to bring out what I saw or felt at the moment I shot the image. This is different that photojournalism. In photojournalism a shooter wants to capture as much of the scene as they can. Yet, I hasten to add, as soon as the photojournalist turns the image into black & white they have manipulated it every bit as much as I do. In fact, can a photographer even take a picture without it being a manipulation of a scene? We choose a moment in time, a fraction of a second and say, “This is what took place.” Is that even fair? Is it unbiased reportage? Don’t we risk taking something out of context? It is not the whole story, or even close to it. and the angle, the timing, the lens choices all sever to deliver the image in a certain way so the image speaks and tells a creation story or message. Ok, enough of my rambling, here is the image, tweaks and all.
I am toying with making 20, 16 X 24 inch limited addition prints on metallic paper, signed and numbered for $250 + international postage. If you have ever seen a print like this on metallic paper you know this would rock! What do you think? My buddy Hariman found a lab that promises to be very professional. One of the few labs that print on metallic paper and pay attention to color profiles. Interested? In the mean time consider this as a tease. You know the drill; click the images above then do whatever it is you do to make it your wallpaper.